In Collection
#435
Seen It:
Yes
Crime, Drama, Thriller
USA / English
| Billy Bob Thornton |
William Sloan |
| Mickey Rourke |
|
| Winona Ryder |
|
| Kim Basinger |
|
| Amber Heard |
Christie |
| Rhys Ifans |
Roger |
| Brad Renfro |
|
| Lou Taylor Pucci |
Tim Price |
| Chris Isaak |
|
| Jon Foster |
Graham Sloan |
| Austin Nichols |
Martin |
| Fernando Consagra |
Bruce |
| Aaron Himelstein |
Raymond |
| Mel Raido |
Bryan Metro |
| Germán Tripel |
Bryan's Guitarist |
| Director |
Gregor Jordan |
| Producer |
Marco Weber; Vanessa Coifman; Bret Easton Ellis |
| Writer |
Nicholas Jarecki; Bret Easton Ellis |
In his bestselling novels, author Bret Easton Ellis (
American Psycho, Less Than Zero) established himself as a modern chronicler of decadence, revealing dark shadows behind lives of wealth and glamour. In this new film, Ellis co-writes a script inspired by his own stories. Academy Award winners Billy Bob Thornton (Best Adapted Screenplay,
Sling Blade, 1997) and Kim Basinger (Best Actress in a Supporting Role,
L.A. Confidential, 1998), Academy Award nominees Winona Ryder (Best Actress in a
Leading Role, Little Women, 1995) and Mickey Rourke (Best Actor in a Leading Role,
The Wrestler, 2009) star in an interweaving tale in the tradition of
Boogie Nights, it unfolds in Los Angeles: a city ruled by addictions of every type - from sex, to drugs, to power - where youth is wasted, where love is fleeting, where every night is a headlong rush to the next orgy of sensation. Sooner or later, the party has to end...and the hangover is bound to be a killer. Also starring Chris Isaak, Brad Renfro in his final performance and hot up-and-comers Amber Heard (
Pineapple Express) and Austin Nichols (TV's
One Tree Hill).
| Barcode |
043396321236 |
| Region |
Region |
| Release Date |
8/25/2009 |
| Packaging |
HD Case |
| Screen Ratio |
Widescreen 2.40:1 Color |
| Subtitles |
English |
| Audio Tracks |
ENGLISH: Dolby TrueHD 5.1 |
| Layers |
Single Side, Dual Layer |
| Nr of Disks/Tapes |
1 |
|
|
|
Director And Cast Commentary Human Intersections: Making The Informers |